• Andrew Peterson
  singer, songwriter, storyteller
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• Pete Peterson
  writer, boatwright
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• Jason Gray
  singer, songwriter
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• Eric Peters
  singer, songwriter
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• Evie Coates
  visual artist, writer
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• Randall Goodgame
  singer, songwriter
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• Matt Conner
  pastor, writer
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• Curt McLey
  writer
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• Russ Ramsey
  pastor
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• Jonathan Rogers
  writer
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• Ron Block
  musician, singer, writer
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Recent Comments:

• Solar System: Bill Mallonee in Concert (4)
  • Alan: First of all, Birmingham is an awesome city, and hearing you talk about Surin makes me miss home. Also, War Eagle. Secondly, if you remember,...
  • Mark Cook: I heard Bill play a house-show a few years back while i was in school and remember just enjoying the heck out of his music. he’s...
  • Barry: The family and I pulled out VOL’s Fade to Black dvd Friday night and were once again captivated by the energy and lyrics. The dvd...
• Take It and Run (13)
  • Peter B: God is awesome. Thank you for reminding me.
• Delivering Letters (6)
  • Peter B: Hear hear! Long live the Flame of the West (the not-an-elven-sword variety). Having just finished TFG last night — yes, I’m a...
• P90X-Mass: or, The Weight of Arms (15)
  • Peter B: So… so much awesome. For what it’s worth, I actually heard about the Pgox about two years ago when I was looking for a chin-up...

• Why I Want Eric Peters in My Corner
  

  So I was having a bad day. I woke up, for no apparent reason, at 5:30 in the morning, and my brain was already two hours ahead of my body. It was the kind of day that usually lands me in front of the mirror with a mental baseball bat. But on this day, I did not have the wisdom to walk away in defense. Instead, I moved in closer for a beat down. My arms would not reach up to fight, but remained stubbornly, helplessly at my sides. My face, totally unprotected from the oncoming head blow, narrowly dodged clear at the very last second, and I closed my eyes in relief. A minute or two passed and I gained strength enough to push away from the glass and head for the safety of my computer. I put my head down and got to work, hoping to shake off the shadows, but an hour later I found myself crying through the proofread because I hated every single letter on the screen.

  » read entire review
• John Piper on C.S. Lewis: “I shall never cease to thank God for this remarkable man…”
  

  Here is a small excerpt from John Piper’s excellent book Don’t Waste Your Life (which you can read here for free, or buy here for a pittance) wherein he expresses thankfulness for Clive Staples Lewis and details some of the ways he has cleared a path for us all. I’ll only add that I vigorously concur, and that JP is among the very few men who rank with CSL for impact in my own life. -sam

  Someone introduced me to Lewis my freshman year with the book, Mere Christianity. For the next five or six years I was almost never without a Lewis book near at hand. I think that without his influence I would not have lived my life with as much joy or usefulness as I have. There are reasons for this.

  He has made me wary of chronological snobbery. That is, he showed me that newness is no virtue and oldness is no vice. Truth and beauty and goodness are not determined by when they exist. Nothing is inferior for being old, and nothing is valu¬able for being modern. This has freed me from the tyranny of novelty and opened for me the wisdom of the ages. To this day I get most of my soul-food from centuries ago. I thank God for Lewis’s compelling demonstration of the obvious.

  » read entire review
• Will There Really Be a Morning
  

  Heaven knows why it has taken me so long to write a little something about this album, the newest EP from friend and soul sister, Julie Lee. Julie and I met several years ago at a friend’s house and found immediate ease in conversation and a unique connection; sparks of light and magic hung lightly in the air around our collision. It was one of those instances where you know for sure that the God of the Universe meant for you to meet this one particular human being out of the millions that He created. I know that sounds a little dramatic, but I like drama (the good kind only, please) and am grateful when I find it happening in my little life.

  » read entire review
• Acedia & Me: A Book Review
  

  Browsing the shelves of wicked-cool used bookstore here in Nashville, McKay Books, I happened upon Kathleen Norris’s (The Cloister Walk, Dakota, Amazing Grace) latest, Acedia & Me. Though I had no idea she had a new book out, the cheap sticker price for a primo first edition (Note: you will recall from a previous post that I have a more than slight affinity for used bookstores and, especially, first editions) was an easy decision. The title itself was mildly intriguing since I was vaguely familiar with the word, “acedia”, but of which I knew very little. The subtitle, “A Marriage, Monks, and A Writer’s Life”, though hardly an enticing, round-em-up, gather-em-in slogan, is true to Ms. Norris’ midwestern style, neither flamboyant nor melodramatic.

  Acedia, coined the “noonday demon” by the early monastics, is the absence of care when life becomes overly challenging, repetitious and boring, while engagement with other people is too demanding. In short, it is spiritual apathy, and is described as a weariness of soul. Though it is not readily a part of the modern scientific lexicon, acedia, in today’s culture, is generally lumped in with depression and the sin of sloth, one of the supposed seven deadly sins. We treat it with medication, just like everything else. But, as Norris continually illuminates, acedia possesses spiritual roots, and, thus, can ultimately only be treated with spiritual attention and resolve.

  » read entire review
• Telling the Story: The Jesus Storybook Bible
  

  I’ve been hearing about this children’s Bible called The Jesus Storybook Bible by Sally Lloyd-Jones for a year or so now, first from Ben Shive, then from a smattering of others whose opinions I respect on such matters.  One night last week Jamie and I were putting our sweet Skye to bed (she’s 6 now), and we were talking to her about Christmas.  I’d been gearing up to leave for tour and with the first Sunday of Advent fast approaching we wanted to find out what she thought.  Jamie asked her who was born on Christmas morning, and Skye answered, “Um…Noah?”

  » read entire review
• A Few Reviews for Resurrection Letters, Vol. II
  

  Russ Bremeier at Christianity Today:

  “One track he’s an evocative poet, the next a storyteller, and before long he’s singing praise to the Lord—all within the same album. Though he resides in the same folk-pop vein throughout, he varies his scope from song to song (like Mullins) and thus more fully articulates Christian living than most of today’s …

  » read entire review
• What’s the Use in Receiving?
  

  Is there a qualitative difference between learning a song from your Grandfather and downloading a song from iTunes, from getting a recipe online and pulling out the yellowing paper of an old, family recipe? Ken Myers answers in the affirmative, channeling C.S. Lewis when he discusses the need for thoughtful Christians to consider not only content in what we appreciate in art, but also how we receive it.
  Myers, in his excellent book All God’s Children and Blue-Suede Shoes, points out that while Christians have been very sensitive to the content of movies, music and other art forms, we have been less discriminating about how art comes to us and what that process can help us become. We have counted the references to the name of Jesus in music (at rough estimation, repeated about 9,000 times in many Praise and Worship songs) and we have checked for how many so-called “curse words” there are in films, but we have failed to recognize our increasing tendency to fracture and disconnect from our own history and community in how we receive art. Often we see art only as a vehicle for moralism and this has issued in some pretty crummy results. And by art I mean music, painting, drawing, writing, etc. Myers (and Lewis) argue that we need to receive art in a different way than we are being trained to by our culture (increasingly autonomous in the modern era) and I think he is right.

  » read entire review
• West Coast Diaries Volume 2 - Charlie Peacock
  

  The other night my wife and I had the opportunity to see Charlie Peacock in concert.  The Art*Music*Justice tour, featuring Sarah Groves, Derek Webb, Sandra McCracken, Brandon Heath and Charlie, had an off day in Kansas City.  So Charlie set up a house show with just him and his piano in the upstairs art gallery of the world’s most perfect Christian bookstore, Signs of Life, in downtown Lawrence, Kansas.  (No kidding.  Not a Scripture mint to be found, but huge sections on art, history, classics and local writers.  There’s one wall devoted to the puritans, and another to Walker Percy, Flannery O’Connor and the like.  Dangerous.)

  Now you need to know for those formative years bridging high school and college, Charlie provided the soundtrack for my life.  So there’s my bias.  There was one record in particular which made me want to write, sing and play guitar.  In fact, it planted in me a desire to make art and live artistically during that window of life when I was considering, in many ways for the first time, what I wanted to do and become.

  » read entire review
• Learning to See - Annie Dillard
  

  

  Back in 1994 I was living as a student in Jerusalem.  A roommate of mine had this book called “The Living.”  He was just finishing when I first saw him reading it.  I asked him if it was any good.  In a non sequitur kind of way, he said, “Look at this picture on the cover.”  It was an old plate picture of a family of loggers in the American northwest, circa 1900 or so.  I couldn’t stop studying that image with fascination.  It seemed to capture an era we’ll only imagine– men and children with axes and saws beside a clapboad shack beside fallen redwoods with trunks six feet thick.

  I judged the book by its cover.  And while Annie Dillard didn’t take the picture, write about the picture or probably even select the picture, that photo of a world that seemed to be teeming with a secret knowledge of how hard life is brought me into Dillard’s world, which carries that same secret, along with a secret knowledge of how glorious life is at the same time.

  » read entire review
• Donal Grant: The Obedience of Faith
  

  Mystery. Intrigue. Drugs, dark secrets, the decay of the will, and the transforming power of God’s love sown by a single man to a harvest of redemption.

  That’s Donal Grant. George MacDonald has an uncanny gift for unzipping a reader’s heart, dropping in all kinds of mind-expanding and life-altering thoughts, and then zipping it all right back up.

  » read entire review
• The Year Of Living Biblically
  

  My favorite book I’ve read this year was initially only a curiosity piece I perused while killing time in a Barnes & Noble. I had recently bought Unchristian – a book that offers an insightful look at how outsiders of the faith view the church – by David Kinnaman & Gabe Lyons, but decided I needed a mental break and started looking for something a little lighter. I’m not inclined to reach for humor books, but the cover of a book featuring a man dressed in Old Testament garb and looking earnestly heavenward with the ten commandments in one hand and a Starbucks cup in the other proved irresistible. I picked it up, thumbed through the pages and found myself laughing out loud in the aisle at Barnes & Noble – another uncharacteristic behavior for me.

  Who knows? Maybe it was my tour induced exhaustion, or maybe it was the Vietnamese food I’d just had for lunch with a few friends, but for whatever reason I left the store with a hardcover of The Year Of Living Biblically: One Man’s Humble Quest to Follow The Bible As Literally As Possible by A.J. Jacobs tucked under my arm (after paying for it, of course - thou shalt not steal, you know).

  A.J. Jacobs is the editor of Esquire Magazine and the author of Know It All: One Man’s Humble Attempt To Become The Smartest Man In The World, a book he wrote chronicling his experience of reading the entire Encyclopedia Britannica. He is also a self-proclaimed agnostic who decided the only worthy book to follow the Encyclopedia Britannica project would be the book of all books: the Good Book.

  » read entire review
• THE YELLOW LEAVES: Some Thoughts On Buechner
  

  The Yellow Leaves: A Miscellany, the new book from my favorite author, Frederick Buechner, was released on June 16th. I added it to my Amazon shopping cart when I first heard about it from the Proprietor and Eric Peters, after they heard Buechner read a couple excerpts during the grand opening of the Frederick Buechner Institute back in January (which also featured a concert by Michael Card, with AP opening for him).

  The blurb on the back of The Yellow Leaves from John Wilson, editor of Books and Culture, perfectly describes it: “Heartbreaking, sardonic, whimsical, elegiac, crazy-funny: this is a book to be sipped like a rare wine, the last bottle of a fabled vintage, brought up from the cellar for our delectation.” 

  » read entire review
• Shive Arrives: A Song by Song Commentary on The Ill-Tempered Klavier
  

  

  One listen to Ben Shive’s debut The Ill-Tempered Klavier will provide obvious evidence of why this young man has secured the respect of peers and colleagues on the inside of the Nashville music community. With The Ill-Tempered Klavier, Shive’s skills are now planted in the public garden.

  Heretofore, there have been unsubtle hints: Andrew Osenga pronouncing Shive as his favorite songwriter, Andrew Peterson naming him as producer of The Far Country, his ubiquitous presence as a studio piano ace on a wide range of mainstream CCM records, Sara Groves choosing him to produce her next record, and the majestic arranging of the strings for Andrew Peterson’s Behold the Lamb of God, The True Tall Tale of the Coming of Christ. Like a fast growing wildflower, Shive seems to pop up everywhere, though always in the background. Now, the secret is out. Raise the curtain on Ben Shive.

  » read entire review
• Flannery O’Connor: The Complete Stories
  

  

  I just stumbled on a copy of O’Connor’s complete short stories at a used bookstore here in Nashville and listed it in the Rabbit Room store. Years ago a friend bought me this same edition and I read it with a sense of creepy amazement; it was like nothing I’d ever read. I knew Chris Slaten was a big fan of her work so I asked him to write a recommendation for the book. We only have one copy, so if you click here and can’t find it, someone beat you to the punch.

  ———————-

  This collection is essential to both long time fans and first time readers interested in the work of Flannery O’Connor. My first time to read a handful of her short stories I was helpless to interpret them. One would expect that reading the 1950’s work of a female “Christ-centered” southern fiction writer would be a simple, modest or at least predictable experience.

  » read entire review
• Saint Julian: A Novel
  

  Walt Wangerin, Jr. strikes again.

  Several people in the last few weeks have commented to me about how glad they are that they discovered Wangerin’s The Book of the Dun Cow here in the Rabbit Room. It really is a remarkable book, and I still can’t recommend it highly enough. It won the prestigious National Book Award when it was first published in 1978, and was only the beginning of Wangerin’s career.

  I just stumbled on his most recent novel, Saint Julian, and was so captured by it that it bumped aside the other four books I’m reading. Last Sunday afternoon–a perfect Spring day–I sat on my front porch swing and read the last half of the book, savoring the careful prose, the pastoral tone, and even the look and feel of the book itself. The cover illustration fits the epic, vivid quality of the story perfectly, and the fonts (I’m a sucker for a great font) added just the right atmosphere.

  » read entire review
• On Andy & Jill
  

  The musical bumper sticker on my car during the ol’ college years would have definitely read “I’d Rather Be Listening To Acoustic Music.” Therein was my initial foray into the early careers of Square Peg artists like our own Proprietor. I found great enjoyment in the Texan college worship scene (early Crowder, Robbie Seay, Justin Barnard, anyone?). And the great unknown (acoustic) rock over which I stumbled came in the form of Jill Phillips.

  » read entire review
• RELEASE DAY REVIEW: On the Edge of the Dark Sea of Darkness
  

  Janner Igiby lives in Glipwood, a nothing little village in the land of Skree, on the edge of the Dark Sea of Darkness. Manhood is on the horizon, but Janner finds it hard to feel much hope for the future. Skree is ruled by foreign oppressors, snake men called the Fangs of Dang, servants of a shadowy emperor named Gnag the Nameless. The Skreeans are weak and weaponless. They’re even tool-less. Any Skreean who needs to use a hoe has to borrow one from the Fangs (and fill out the requisite paperwork). And from time to time, the Black Carriage arrives in Glipwood to carry young Skreeans toward an unknown fate across the Dark Sea.

  But once a year the Sea Dragons sing just off the coast of Glipwood. With their song, life reasserts itself in the hearts of Skreeans who have long since learned to numb themselves:

  » read entire review
• The Killer Angels
  

  I am not a fan of Civil War literature; in fact, I have always thought of it as one of those weird sub-genres for obsessive types. They’re almost like Trekkies with their re-enactments and maniacal devotion to detail. It’s just not my thing (although I’m secretly jealous that they get to dress up and shoot cannons).

  » read entire review
• Arkadelphia from Randall Goodgame: Music in Motion
  

  A Randall Goodgame song is like a great independent movie. Characters deliver lines like they were lifted from a break room, a truck stop, or a downtown diner. Seemingly incongruent scenes are juxtaposed and plot isn’t obvious; in fact, narrative–a good story–is often more evident than linear plot lines. An indie movie, like a Randall Goodgame song, seems to tell itself. Rather than being rudely yanked by a chain through a sequence of contrived events, with a Randall Goodgame song, I have the sense that I’m being allowed a willing, but vicarious sneak peak into the real lives of his real characters.

  » read entire review
• Nervous Laughter—Andy Gullahorn’s “Reinventing the Wheel”
  

  Andy Gullahorn is funny, but he’s also one of the more serious lyricists I’ve come to enjoy in a while. Listening to Reinventing the Wheel, you come to understand that he is more than a good songwriter. He is a craftsman. He knows what he’s doing, where he’s going, and where he’s taking his hearers.But as I said, people say Andy Gullahorn is funny. They say that, I think, because he makes them laugh. But as for me, I’m calling it nervous laughter.

  » read entire review