I have always been a five year-old about birthdays. I love them, and I get very excited about celebrating the day that God in His mercy chose to give me life. The most ordinary things seem tinged with magic, and I pray I will never grow out of that. But I am also very awed by the shining, unwritten gift of a new year. There is something a little untame about the enormous possibility that stretches before me, and a deep unction rises to take responsibility for my choices in the spinning round of days to come—to name my year with purpose and intention and love. To mark each age with significance and deep attention to the subtle ways in which God is bringing me into my own, as a woman and as His child.
So, while all birthdays are important to me, this one seems especially so. Today, I enter the final year of my thirties. I’ve joked with Philip about how I’m turning 39 for the first time, but, in all seriousness, I’m not bothered a bit about growing older—I love the increasing freedom that comes with the passing of years, and the gradual shedding of non-essentials—be it the shedding of ideas or possessions or insecurities. My thirties have been a remarkable decade. I have had adventures and opportunities my 29 year-old self could not have imagined. It’s also been a quietly turbulent decade, in the good way that all true soul-growth is turbulent. I have been stretched in ways that sometimes seemed past endurance, and I have found God more loving, more tender, more unreasonably patient with me than I ever would have let myself hope He would be. My joys, too, have deepened into this widening space within, so that I begin to feel that all the tugging and pulling and broadening—which can be so uncomfortable in the moment—has only been God’s secret design of making room for even more joy.
Like a white gull, caught in the cross-purpose of an opposing breeze,
I hang, suspended upon grief and this searing joy. Weightless, effortless,
aloft on these mercies, I hover ‘twixt heaven and earth, love greater even
than that which wrings my heart burgeoning beneath these wings.
Such gift, this graceful breath, inkling of the ageless I was made for. Ah, then!
unbound at last from Time’s enslavement, my heart will be home in Undying.
A liberated thing, from which sorrow has chastened the last temporal taint,
feathers sheathed gold in the sacred fire of that morning light. No tears shall spring
but they are summoned by joy, when Love’s sweet satisfactions are complete.
Not yet, but the holy warmth of this early sun, stealing with summer gladness
over my upturned face, swears that such things will be—this and the shout of gulls
and the salt tang of sea, hinting verities scarce imagined. And while I wait—
here where yesterday rests most thankfully and tomorrow sleeps unthought of—
my soul is awake, keeping time, so lucid it might be heaven itself.
Here, where hope first found wings, hope rises anew, replumes, resurrects immortal.
Wounded with love, exultant in sorrow (for sorrow, after all, only means one has loved)
my cloistered heart rekindles to the day, inhabiting eternity in this present moment.
One great pulse of wings, one mighty cry of desperate joy, and I am off,
Last summer, I had the great privilege of interviewing one of my heroines, Andi Ashworth, upon the occasion of the re-release of her book, Real Love for Real Life by the Rabbit Room Press. You can find the interview here, and I really urge you not only to avail yourself of the gentle wisdom of her replies to my questions, but to purchase and read and share her book as well. (And while you’re at it, check out Janna Barber’s heartfelt review.) Andi has a perspective on caring as a lifestyle that is truly revolutionary. She brings the most practical expressions of love—things that might otherwise be considered mundane or insignificant—out into the light and shows the opportunity they hold to communicate the love of God to the people in our lives. Her words were such a gentle challenge—at once a cup of cold water and a bracing tonic. I’ve said this elsewhere, but the offering of this book to a weary and care-starved world is a gift of care in itself. I cannot recommend it highly enough.
Reading this book and conducting this interview have made me think deeply about the application of these things in my own life. I’ve been affirmed down to a soul level in things I’ve intuitively felt, but have received very little cultural validation in. And I’ve been challenged to remember the preciousness of the lives that so beautifully intersect with mine, and to keep thinking about how I can love them in creative, concrete ways. But I have also been reminded, in a very poignant way, of the manner in which I’ve been on the receiving end of all this practical love. I am quite honestly overwhelmed at the ways the people in my life have communicated God’s love to me. They have been the hands and feet of Christ in the moments of my greatest need.
This post has been brewing for a good long time. Ten years, as a matter of fact.
What follows is something of a personal retrospective, probably not of the least interest to anyone but me. Truthfully, it’s one of the most difficult things I’ve ever written—how to confine an important decade to a few paragraphs?—and more than once I’ve nearly given up the attempt altogether. As it is, I’ve refined it to death, wrestling over that balance between candor and abstraction (and taking myself far too seriously in the process). And for all that, who knows but that in the end I’ve succeeded at nothing more (or less) than an egocentric ramble. That’s not my intention; what I long to do is memorialize what God has done in my life, to mark this passage with an altar of remembrance and observe an epoch with deep attention and gratitude. Love compels me to try, while joy tugs, colt-like, against the reins of my limitations. At any rate, I’ve given it a go. The very fact that I feel obliged to open with such an accounting may serve as warning enough of the wanderings to follow…
It was ten years ago this Maytime that God started something in my life from which I’ve never recovered—and never want to. Anniversaries are important to me, and this May I’ve been blessed with ample time to take a long, backward glance. To remember where I’ve come from; to measure my charts and check my course against where I’m going, where I want to go. For three weeks I have lived by the sea—really lived, in the way I first began to dream of a decade ago. I have put countless miles on my trusty Schwinn (Holly Golightly’s the name), traveling daily the same beloved paths, stretching over a gold and green salt marsh or winding beneath moss-hung oaks, each one a familiar friend. Kingfishers have been my comrades, and snowy egrets, and red-winged blackbirds with their liquid music like flutes coming through water. I have worn my hair in a ponytail and the same gorgeously-comfortable, perpetually-sandy, linen cargo pants (except on the days when I’ve donned my favorite, lucky writer’s frock: perfect shade of sailboat blue and works well on a bike) and I’ve pedaled off with a laptop in my backpack and my wicker bicycle basket stuffed with books and blanket, seeking some sunny refuge where I might warm the bones of my soul and weave a few words into the bargain. (I’ve literally followed the sun all over this island and I’m brown as a nut in consequence—all but my face, which I slather daily with SPF 20. Yes, I’ll admit, it looks a bit odd. I’ve also mastered the art of riding a bike with a tall Darjeeling in hand, for what it’s worth. What would we do without our cups of tea?)
And at the end of the day, we’ve stretched on the sand, my husband and I, or on a sun-gilt verandah in rocking chairs, sipping cocktails and reading books—or talking of books and the dreams they have kindled.
What is it that Thoreau said—“How many a man has dated a new era in his life from the reading of a book?” I certainly can. I have often thought that God all but placed a book in my hands that He wanted me to read, something that would unravel a bit more of the fabric of unexamined belief about Him and the world and other people—and myself. But ten years ago this May, I know He did. It was as if the Holy Spirit propelled me bodily towards the bookcase and pried open my fingers to receive a volume off the shelf. It was a book that had been sitting there for four years, ever since Philip and I had been married, and it was the story of a great love. But one of the lovers did not survive the book. This much I knew. And I did not want to read it.
When God gave it to me, however, I did. (We did, rather, for I firmly believe that this is not a book to be read by one spouse and not the other.) And it completely changed my life.
The choirboys sang at dawn in Oxfordtown,
birdnotes chiming from tower’d nest
of stone above the mink-brown Cher.
I have never heard them do it
but by the heart’s hard listening,
that fancy-flight of longing
that makes an actuality of the imagined,
till the real is more dream
than the dream. And while I dreamed
an inexorable sea away, they sang,
white robes ruffled like fledgling feathers
breathed upon by auroral breezes,
round mouths wide to drink in all
that dew of blushing morn and maiden
May. The earth is glad once more—
their sweet song rouses it with a shout!
And I awake, dispossessed of all that happy dream.
My morning broods, welling tears of unshed rain,
while the green world waits,
shuddering at one long, low sob of thunder.
Yet the wild roses breathe out
a holy incense, flouncing their frills
over western hedges and showering a veil
of bridal white from the low-sweeping pines.
In the breathless orthodoxy
of this newborn day that first,
wild, young madness of honeysuckle plies
an arrow through my awakened heart.
And at evening, we sit beneath
a windswept sky, remembering
how the sun kindled her honeyed face
and how the rain silvered the hoary fretwork of her spires.
“To England,” he says, lifting a glass of stars,
summer wine enflamed by one glance of that great light.
In the middle of my ballet class last week I was struck with a sudden memory that almost made me topple out of a pirouette. (At least, that’s what I’d prefer to attribute it to, and not to mere laziness over finding my center before attempting said pirouette.) For whatever reason, my brain chose that inopportune moment to summon a recollection that was nearly twenty years old.
I was nineteen (I said nearly twenty years, mind you) and I was attending the teachers’ intensive put on by Ballet Magnificat in Jackson, Mississippi. (Y’all do know about Ballet Magnificat, right?) For three weeks I had been taking master classes from some of the best teachers in the country and scribbling frantic notes on lectures ranging from anatomy to choreography to grant writing. (Okay, I confess, I kind of checked out during the grant writing session.) Every day I got to attend morning chapel with a roomful of dancers who were head over heels in love with Jesus Christ, and every night I fell into bed wholesomely exhausted from an impossibly rigorous schedule. It was an amazing time that left a permanent mark on me, and I loved every minute of it. Almost. You see, there was one item on the schedule that made me a little uneasy.
I felt like Jo March in Little Women.
The 1994 film version, to be exact, when Winona Ryder and Gabriel Byrne are sitting backstage at the opera, perched high among the ropes and riggings. Byrne’s Professor Bhaer has invited the ingenuous Jo to a performance of Wagner, having dismissed her concerns over a suitable opera dress with the half-abashed confession that, where they were sitting, things would “not be so formal.” He is interpreting the German libretto in a whisper, and Ryder’s already ethereal face is a portrait of pure enchantment as she gazes down at the spectacle on the stage below, her brown eyes round with delight. It’s a gorgeous scene, charged with the enthusiasm of youth and the incredulity of a realized dream . . . and not only because she ends up getting kissed as the curtain falls.
But I love that image of wide-eyed wonder in the face of almost unearthly artistry and skill. It’s exactly how I feel each and every time I’ve witnessed a flash of human genius of any form upon the stage—and opera in particular.
I love grand opera. Unlike Jo, I’ve seen many. But I never get over the old rapture I first knew when I saw one of these miracles of orchestra and voice leap into living color before my eyes. When I was in high school, my piano teacher handed me a fat volume of famous arias and I spent hours upon hours with that book over the summer that followed, getting acquainted with the greats: Faust, Carmen, La Bohème, Aïda. My first and best love, however, has remained steadfast to this day: La Traviata. I’m just enough of an incurable romantic to ache for the ill-fated heroine. And, in my starry-eyed opinion, there is nothing in opera to compare to the soaring tenderness of Verdi’s score.
“Don’t be a writer if you can get out of it! It’s a solitary job, sometimes a rather lonely one (who’s listening? you say), and it requires relentless self-discipline. The world is not waiting with baited breath for what you turn out. A writer has to be some kind of nut to stick with it. But if, like the psalmist, you say, “My heart was hot within me, while I was musing the fire burned,” then perhaps you will have to write.” Elisabeth Elliot
My writing partner, Laura, and I are up to our necks in another of our famously insane writing challenges. We’ve committed to tossing off eight chapters in our respective books by the end of February—and our husbands have gallantly committed to throwing a little two-person awards banquet at our favorite restaurant after we cross the finish line. Usually at this point in one of our writing sprees I’m starting to daydream about which dress I’m going to wear on the illustrious night, but this time I’m wondering if I’ll even make it to the dinner.
Tell us, ye birds, why come ye here,
Into this stable, poor and drear?
Hast’ning we seek the newborn King,
And all our sweetest music bring.
~ Charles L. Hutchins, Carol of the Birds
I had been looking for them for weeks, from the first real shock of cold weather in early November, expecting at any moment to be brought up short in the midst of a day’s round by the sound that is at once the most wistful and the most exhilarating I have heard in nature. To be arrested with the wild, sweet declaration of change in the air and the turn of the seasons. To be held fast and fixed in a spell of wonder that is the yearly migration flight of the sandhill cranes. I remember so many late afternoons in autumn, the yard around us violet with gathering shadows and the day’s last gilding just ebbing from the treetops as we stood with heads thrown back in a compliment of complete silence, watching the tiny black mass swirl and mount its heavenly way before pressing southward in a somewhat ragged ‘V’, always cherishing the jumbled cacophony of cries that must be deafening at close range and yet has about it all the poignancy and bewildering exactitude of change-ringing at such a distance.
They have always been a herald, a harbinger that electrifies me with aliveness and anticipation, and I love them for it. But they have never been so late, in my memory. And I hadn’t realized just how intently I’d been listening for their glad tidings until it came.
One night last summer Philip and I were driving back from Birmingham in our little roadster, Happiness Runs. We had been visiting dear friends and a gorgeous sunset was already simmering in the west by the time we managed to tear ourselves away. It had been a weekend of work and wonderful food and iron-sharpening fellowship, and we were feeling so brimful of God’s goodness we both just wanted to sit in silence and enjoy it, like the quiet satisfaction after an exquisite meal. We had the top down as it was such a fine night, and I slid Andrew Peterson’s Counting Stars into the CD player, nestling back in my seat to look at the real stars overhead as we sped eastward towards home.
About the time we reached the dark stretch on I-20 that is the Talladega National Forest we started to notice a few splatters on the windshield, and I looked up to see that the starlit sky was now racing and tearing with ragged clouds. The cool thing about a convertible is that if you are going fast enough (ahem, well within the speed limit, of course!) you can drive through a reasonable amount of rain and not get wet. I know there’s some fancy scientific principle at play here, but what this means to me is just an added spice of drama to an already fun ride. (It can also mean a lot of laughter if we fail to gauge our storm and end up getting soaked.)