Eric Peters’ Birds of Relocation CDs are now shipping. Head into the store and pick up one of the best records you’ll hear this year. Here’s a brief glimpse of what people are saying about the album. And don’t miss this great interview at The Sound Opinion (Part I here and Part II here).
“Mature but not morose. Fun but hardly frivolous. Honest yet optimistic Self-assured but no where near self-absorbed. Eric’s newest album is a toe-tapping, sometimes tear-jerking, joy to listen to.” –Thomas McKenzie, pastor
“Eric has written a really beautiful collection of songs here. I’m proud of him. I would say that the theme of this record is a movement from darkness to light–which might also be the theme of Eric’s soul at the moment. We tried to capture that in the recordings. There are definitely some dark moments (fittingly so), but the songs always seem to step into the light. Anyway, I think you’re really going to like Birds of Relocation. I do.” –Ben Shive, producer, singer-songwriter
“Eric Peters is a chronicler of his journey; he’s been a faithful steward of the story God is telling through him, and this newest chapter, Birds of Relocation, is Eric’s testimony that along the way there are moments of deep joy and gratitude–they may seem brief, but they’re bright, and they’re worth singing about. The joy I hear on this record heralds a long and welcome peace.” –Andrew Peterson, author, singer-songwriter
“I have been a huge fan of Eric’s music for a long time. The beautifully personal and revealing songs on this new record not only make me love Eric’s art even more, they make me love Eric more. Birds of Relocation is an open window into the heart of a brilliantly broken man.” –Andy Gullahorn, singer-songwriter, producer
“Birds of Relocation is a soul-awakening, triumphant, honest survey of a year of life and loss. Eric’s tell-it-like-it-is voice combined with these aching melodies come together to pronounce both heartache and hope, bringing these two opposite sides of the same coin into view simultaneously. This musical offering is a needed spark of inspiration in a cultural moment heavy with cynicism. These songs speak. They lift. They comfort. Eric skillfully blends melancholy with sunshine. And the end result is magnetic.” –Sandra McCracken, singer-songwriter
“In painting, chiaroscuro is the effect of depth and luminosity created by sharp contrasts between light and shadow. I kept thinking of this word as I listened to Birds of Relocation. I heard a portrait there–a canvas swathed in bleak tones of past troubles, out of which emerges a brilliant face illumined by thankfulness. A searingly honest songwriter, Eric has earned the right to sing of light and hope because he knows how deep the darkness can be.” –Jennifer Trafton, author
“Eric has been writing great songs for a more than a decade, but his newest album, Birds of Relocation, feels like a much-anticipated arrival. It feels like the culmination of a life-long journey through the highs and lows of the human heart. Each time the last notes of the record fade, I feel like I’ve stepped back from a window, having been, for a short time, a voyeur peering into the epic and ultimately victorious struggle of another soul.” –A. S. “Pete” Peterson, author
“I’ve come to expect this sort of thing from Eric Peters–yet another amazing collection of songs, each one it’s own journey. It’s whimsical in ways but in an instant becomes the cry of every man’s heart to be loved with songs like “Soul and Flesh.” I can pretty much bank on the fact that every two years or so another Eric Peters record will wind up among my top choices for the year. But this one might well be his best ever.” –Bebo Norman, singer-songwriter
“Birds of Relocation is an inspiring album for so many reasons. The inspiration that sticks with me between listens is that intangible feeling that comes after listening to a great collection of well-crafted, well-produced songs. Makes me wanna relocate back into my studio and create, think, ponder, and worship the God of ALL creation. The sonic landscape that accompanies Eric’s earnest and honest vocal performance is rich and tasteful. The sounds on this album not only affirm Eric’s creativity, but also Ben Shive’s instinct as a producer.” –David Spencer, producer
“Eric Peters’ music is at the top of what gets played around my house, in my car, and while I’m running. I am a big fan. He writes incredibly honest and poetic lyrics coupled with memorable pop melodies, and I can think of no better combination.” –Jill Phillips, singer-songwriter
“The bright, summery nature of Birds of Relocation gives Eric Peters’ incredible vulnerability a new level upon which to fly. A beautiful, soaring record that deserves to be heard by many.” –Matt Conner, pastor, writer
“This is Eric’s best record, and I’ve been a fan of the earlier records. Birds of Relocation has a brightness to it, not a false naivete, but a fresh-breeze-after-a-storm kind of clarity. He gets bits of truth stuck in my head all day. Can’t ask for more than that.” –Andrew Osenga, singer-songwriter, producer
“Eric Peters doesn’t write songs so much as he opens up a vein and bleeds them. That’s why his songs feel more like a transfusion than anything else. His music is most meaningful, I think, to others who have lost some blood of their own. To them his songs are life-giving and life-saving.
I think we live in a culture that by and large refuses to bleed or otherwise enter into the gift of pain. But the slow death of denial keeps us from finding our hearts and ultimately from truly coming alive. Into this world, then, comes the gift of Eric Peters’ music–a gift that wounds while it heals. Eric’s audience is likely to be that brave but small group of people who aren’t afraid of the sight of blood because they recognize it as the life-giving force that it is.
It falls upon the living to care for the dying. Most of the hymns of our pop culture are broken anthems to self-indulgence and escapism, and they lead to a literal dead end. In a culture that sends Katy Perry’s ‘I Kissed A Girl’ to the top of the charts, the humanity of Eric Peters’ ‘Voices’ is especially meaningful.
The more I hear Eric’s music, the more I’m aware of how generous he is, always giving away every bit of hope for the journey as he finds it. When I buy an Eric Peter’s record, I’m not just adding to my music library, I’m participating in his artistry and making space in the world for songs that bleed life, truth, hope, and beauty.” –Jason Gray, singer-songwriter
Birds of Relocation is now available in the Rabbit Room store.
You may have missed our listening party a few weeks ago, but here’s a recap:
Track 1: “The Old Year (of Denial)”
[Note: This has been adapted from the Hutchmoot 2011 session of the same name. Click here for a portion of Travis Prinzi's contribution to that same session.]
What does the shape of a story look like? A lot of people might say it looks like a Bell curve: setup, rising conflict, and resolution. That’s the typical answer, and there’s nothing wrong with that, in fact, there’s a lot that’s exactly right about it, and there are a thousand and one books on the subject to prove it. But I don’t think that’s the whole picture. The reason for the question is that we want a way to predict whether a story is going to work. We want a pattern for our creation. We want rules to write by.
So what makes a story work? Every critic’s got a theory, me included—or you wouldn’t be reading this.
As good luck would have it, the English language was blessed with the birth of William Shakespeare some four hundred and forty-eight years ago today (I’ll spare you the math–that’s 1564). I was talking with Jonathan Rogers a while back and we were discussing the wealth of words Shakespeare had invented. I couldn’t recall many examples at the time, but today’s news of the Bard’s birthday sent me looking.
We’re probably all aware that many phrases used in our every day speech are attributed directly to Shakespeare’s plays, but it’s pretty staggering to note just how many of our words appeared in print for the first time in his work. The total is around 1700 by some counts. He certainly didn’t invent all of them, since some were undoubtedly in use on the streets long before being printed in his plays, but one of his many gifts was using words, not only in new and interesting ways, but often in new and interesting forms. If you’re a word geek like me, this kind of stuff is endlessly fascinating. Here’s a tiny sample:
Today’s the day — launch day for a much anticipated (and lonely) astronaut. If you pre-ordered Leonard, the Lonely Astronaut in either CD or digital format, you can now log in to your account and download the album in its entirety. Simply redownload your pre-order purchase to receive the new files. CDs will ship the week of May 7th.
If you ordered the Deluxe Download or the Custom Flash Drive Package, you can also log in to download the record, but check your email throughout the day for instructions on claiming the special features included in your purchase.
If you’ve been on the fence about all this outer space madness, it might move you to know that Andrew Osenga’s Leonard, the Lonely Astronaut is an exclusive Rabbit Room release that will only be available for one week. That’s right, it will only be available until midnight on April 24th. After that cut off date, the album will no longer be available to the public and Andy will go into promotional mode in preparation for the album’s wide release in the fall. So if you’re interested, get it now, or settle in for the long wait.
Enjoy the record, folks. We’ll have a full review in a few days. In the meantime, be sure to leave your own review in the Rabbit Room store. 3 — 2 — 1 — ignition.
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Our task as image-bearing, God-loving, Christ-shaped, Spirit-filled Christians, following Christ and shaping our world, is to announce redemption to a world that has discovered its fallenness, to announce healing to a world that has discovered its brokenness, to proclaim love and trust to a world that knows only exploitation, fear and suspicion…The gospel of Jesus points us and indeed urges us to be at the leading edge of the whole culture, articulating in story and music and art and philosophy and education and poetry and politics and theology and even–heaven help us–Biblical studies, a worldview that will mount the historically-rooted Christian challenge to both modernity and postmodernity, leading the way…with joy and humor and gentleness and good judgment and true wisdom. I believe if we face the question, “if not now, then when?” if we are grasped by this vision we may also hear the question, “if not us, then who?” And if the gospel of Jesus is not the key to this task, then what is?” –N. T. Wright
Hold onto your seats. This is going to be awesome. On the evening of Monday, May 7th, the Rabbit Room will host something of a micro-Hutchmoot. Will there be music? Yes. We’ll have as many of the Square Pegs as we can round up. Will there be food? Yes. Everyone is encouraged to bring an appetizer dish of your favorite sort. Will there be free popcorn and coffee? Of course. Will there be a world-renowned British theologian. Yes, there will be. Is he the author of books like Surprised by Hope and Simply Christian, and will he be addressing the crowd, answering questions, and signing books? Yes, he is, and yes, he will be. Is his name N. T. Wright? Yes indeed.
This is going to be a fun evening, folks. Bishop Wright will read from and discuss his new book, How God Became King, and he’s graciously agreed to answer questions and sign books afterward. And on top of that, you’ll be treated to live music from members of the Square Peg Alliance. If you’d like to join us for this intimate evening, all we’re asking is that you purchase his book from the Rabbit Room store (book still available, event sold out). We’ll be holding the event in the living room at Church of the Redeemer in Nashville so attendance is strictly limited to 50 guests. If you’d like to have your name added to the guest list, click here to buy the book from the store (EVENT SOLD OUT). Your books will be waiting for you at the church when you arrive (or, if you’re local, you can stop by the Rabbit Room office to pick yours up ahead of time). Note that for couples, we’ve provided the option of buying a combination of two different books so that you won’t need to buy two copies of the same title for admission. These seats will not last long. Get your orders in while you can.
This Saturday evening we’re filming a live show with Eric Peters, and you’re all invited. We’ve joined forces with our friends at the Edgehill Cafe in Lenox Village (Nashville) to give the community a unique coffee house and bookstore, and Eric’s show will be the first Rabbit Room Live event to take place there. The music starts at 7pm and Eric will be playing songs off his just released Birds of Relocation. The show is free but we hope everyone will buy a drink to support the cafe or a CD to support Eric. We’ll see you there. Click here for directions and information.
I spent the better part of last year trying to write a poem a day as a writing exercise. When I began, the first thing I told myself was that it was okay to be bad. I knew there would be days when the best I could muster would be tripe unfit even for a Hallmark convention. And I was 100% correct as lines like the following will surely attest:
“Life’s short in the mouth
Of my dinosaur love
But fail early and fail often, I say. Get the dinosaur love out of the way so something better can find its way onto the page. I’m not a great poet, nor will I ever be, but I did manage to wring out about 150 poems last year, and out of those I hope there will be a few gems worth going back to over the years to hone and polish. In early June, though, after writing the first hundred poems, something happened that I didn’t expect.
Thanks to everyone for participating in our Birds of Relocation listening party. For those who missed the event, here’s Eric’s song-by-song commentary and a short preview of each of the tracks. The complete album is now available in the Rabbit Room store.
Track 1: “The Old Year (of Denial)”
This song began the writing process for Birds of Relocation. I wrote it, largely, in retaliation against the year 2009, a psychologically brutal season for me. I see this song as an “I’m staking my claim” pivotal core from which the rest of the album branches. Fear reduces us. To hell with fear; we should refuse to live there any longer, living instead like living souls.
Eric Peters’ Birds of Relocation was released on Tuesday and a brief scan of Twitter and Facebook reveals a snap shot of what people are already saying about it:
“. . . one of the most beautiful records I’ve heard in a long while.” –@Nickliao
“Another amazing album . . .” –@FMcButter
“I’ve been thru the new @ericpetersmusic album 4 times this morning already. Love it!” –@andycheely
“Listened straight through the new @ericpetersmusic record. My soul is soaring.” –@danielchristian
“One of my favorites of all time by anyone.” –@sdsmith_
“We are loving these songs . . .” –@EnCorpsMusic
“. . .this is great music.” –@AndrewPeterson
“It will bless you abundantly!” –@lightenupgear
“All I can say is WOW!” –@Cam__
“@ericpetersmusic’s new album, BiRDS OF RELOCATiON is amazing!” –@bgum728
“. . . just awesome: full of hope, gratitude, and beauty.” Bret Welstead via Facebook
“It’s seriously all kinds of good.” Andrew MacKay via Facebook
“This is a fabulous album.” Rebecca MacKay via Facebook
But if you’re still on the fence, you’ve come to the right place. For the next eleven hours we’re going to premiere Birds of Relocation song by song, one song in its entirety each hour between 9am and 8pm CST. For each song, Eric will give some insight into the writing process, and answer any questions you might have. Enjoy the record, folks. You’re in for a real treat.
Eric Peters’ Birds of Relocation is now available! If you pre-ordered a download, log into your account to download it and start listening.
In Nashville on Friday? Come to Belmont University to be enlightened and amazed. Jonathan Rogers live, one day only. Held in the Massey Business Center, Room 103 @ 10:00am.
Flannery O’Connor and the Terrible Speed of Mercy
Her stories are known for their shocking violence and their seedy, white-trash atmospherics, but Flannery O’Connor led a most devout, well-regulated, and conventional life on a Middle Georgia dairy farm. “Many of my ardent admirers would be roundly shocked and disturbed,” O’Connor wrote, “if they realized that everything I believe is thoroughly moral, thoroughly Catholic, and that it is these beliefs that give my work its chief characteristics.” In his lecture, biographer Jonathan Rogers explores the paradoxes of Flannery O’Connor’s life and work, in which grace comes not like a gentle rain, but like a thunderstorm, destroying even as it illuminates.
Jonathan Rogers lives and teaches in Nashville. Besides four novels, he has also published books on C.S. Lewis and St. Patrick. His biography of Flannery O’Connor—The Terrible Speed of Mercy—will be published in June 2012.
You can hear an early mix of one of the songs here. And when you pre-order Birds of Relocation, you’ll be able to immediately download a track called “Different, Separate Lives.” The rest of the album will be available digitally on March 27th. CDs will ship the first week of May. Find all the details here in the Rabbit Room Store.
I know it’s been a long road for Eric. A year ago I listened to first stirrings of the record as he sat quietly in the next room, writing the new songs, wrestling the lyrics and melodies into their places. Sometimes I’d ask him at the end of the day, “How’s the writing coming?” and he’d shake his head and shrug and wander off in clear defeat. The lines on Eric’s face are a testament to the bitter work of wringing a song into existence. If you ever doubt the hard labor of creation, take a good long look into the eyes of a writer like Eric and judge the weight of the struggle you find there. Eric wears his songs like scars, or bandages, or salves administered in the hope of renewal. He earns them, each and every one.
When I walked into the theater on March 9th, I was a skeptic. I’d seen some really weird looking previews that I filed into the “what the heck was that” drawer and tried to forget about, until a friend pointed me to a few facts that the trailer failed to mention. First, the movie was directed by Oscar-winner Andrew Stanton of Wall-E and Finding Nemo. Second, the script was co-written by Pulitzer Prize and Hugo Award-winner Michael Chabon of The Adventures of Kavalier and Clay and The Yiddish Policeman’s Union. Third, the film is an adaptation of Edgar Rice Burroughs’ Barsoom series which was the direct inspiration for Star Wars, Flash Gordon, Dune, Avatar, and basically every space opera trope of the 20th (and 21st) century.
As weird as it looked, I had to give it a chance.