Start from zero. Try to forget your presuppositions. What do you say to someone who doesn’t seem to have any of the same questions you do about life and religion when they ask you what and why you believe? In a conversation I had about relgion with a friend, he started out by describing himself as a “flaming atheist,” later backing down from that descriptor and saying that more than anything he didn’t really think about the subject.
Rob Bell, pastor of Mars Hill in Grand Rapids, author of Velvet Elvis and Sex God, and coauthor of Jesus Wants to Save Christians, was asked a similar question in a recent interview with Christianity Today. The question was, “How would you present this gospel on Twitter?” and Rob’s answer is a more fleshed out version of the answer I’ve started to give. Remember, Rob is not defining the Gospel here, nor giving a full explanation. He is presenting an introduction, calling the hearer into the journey.
“I would say that history is headed somewhere. The thousands of little ways in which you are tempted to believe that hope might actually be a legitimate response to the insanity of the world actually can be trusted. And the Christian story is that a tomb is empty, and a movement has actually begun that has been present in a sense all along in creation. And all those times when your cynicism was at odds with an impulse within you that said that this little thing might be about something bigger—those tiny little slivers may in fact be connected to something really, really big.”
Of course, G.K. Chesterton said many of the same things when talking about the need for fairy tales, like in this quote: “Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies, that these strong enemies of man have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.”
And much of our discussion here in the Rabbit Room revolves around this conviction that art matters and points to something better, that it has the power to stir up questions and desires in us that are otherwise drowned out by the noise and busyness of our everyday lives.
What about you? What answer do you give when asked why you believe?