Feb
3
2010

The Pit of Despair, or, A New Lament

POSTED BY Andrew Peterson

screen-shot-2010-02-03-at-81420-pmThe oldest song on my new album is also the title track.

I wrote it in Pennsylvania in 2008, after spending a few days at Lancaster Bible College, a fine establishment that flew me in to talk to the students about writing and to put on a concert with the Captains Courageous the next day. (Psst! Lancaster! I had a great time and would love to come back.)

So there I was in Lancaster, feeling as sorry for myself as I ever had, languishing in the hotel room alone, wishing Andy and Ben’s plane would hurry up and arrive. The road is, of all lonely places, one of the loneliest. There’s a certain thrill in the beginning of the trip. I love seeing the sights, exploring new towns, feeling for a while like an observer of life rather than a liver of one. Of course, that’s a dangerous place to be.

Soon the excitement fades, and before you know it every face you see is a reminder of the faces you left behind. Every house looks sad. You start paying attention to the weather in your hometown. My heart literally aches sometimes when I hear my children’s voices on the phone. Along with the homesickness, on this particular trip I was shadowboxing some old familiar demons. I’m susceptible to a particular set of lies, voices that ring in my ears, voices that would have me believe a thousand things of myself and my God other than the truth to which I cling. When my faith falters and I forget my God, when I forget that his undying love now stands guard against all condemnation, I hold myself in contempt. I can hardly look in the mirror because all I see is sin, sin, sin. All I see is a fool. I see a failure.

This is the point in my little essay when I stop and make a disclaimer. I don’t loathe myself every day. When I’m with my family, when I’m on a plane with Ben and Andy, when I’m at church, most of the time I’m doing shows and talking to folks afterward the voices are silent. I don’t hear them because Christ himself has my attention. I don’t hear them because I am forgetting self and remembering the holy Other. Because I felt this way in Lancaster doesn’t mean I’m in a constant funk. Joy marks my life in Christ. In many ways happiness does, too. Still, there are moments of despair.

That reminds me of this woman I met after a concert once. I opened for Michael Card, and at the end of my set we played “The Silence of God” together (another lament). She found me after the show and with a smile as big as her purse said, “You should be happier. Be happy! Don’t be so sad! Be happy!” I tried and failed to hide my annoyance. “Why?” I said. “Was Jesus happy all the time?” She blinked, smiled her immovable smile, and repeated after a moment, “But you should be happy!” Here’s the thing: God wants more for us than happiness. In fact, of all our emotional postures, happiness might be the most fleeting and inane. What do we learn about holiness through happiness? Compassion (literally to “hurt with”), joy, gladness (which is not the same as happiness, I don’t think), contentment, sorrow, and even righteous anger are all more sanctifying than mere happiness. There’s nothing wrong with happiness. It’s a good thing. But it’s not the only thing. You won’t be healthy if all you eat is cake.

Back to Lancaster. I, like Westley in The Princess Bride, was in the Pit of Despair. I hated myself. I disbelieved that God could love such a worm as I. That day, that little hotel room was as dark a place as I could remember being. The room was thick with sorrow seasoned with fear–a potent combination. My soul cried out against all hope that it would be heard.

And then, though I hardly knew it at the time, I was. The King of Heaven heard. He stooped down from Heaven and loved me in my lowly state. And that, of course, is the story dripping like dew on all creation. He loves to tell it.

I started this song that long, dark night without knowing where it would end. I didn’t know what I thought, or what I believed. I didn’t know what I was trying to say. I was lamenting. I knew that much. By the time the final refrain appeared I believed again, weak as I was. The Lord reached deeper than my anguish and my disbelief and lifted me into the truth.

THE LAST FRONTIER (A NEW LAMENT)

Why don’t the mountains make me cry no more?
They don’t sing the way they did before
They’re just piles of stone, as dead as bones
Like corpses on a field of war
And they just don’t make me cry no more

And the highway’s like an old sad song
People moving through their lives alone
On the run from grace, from place to place
Like fugitives without a home
And the highway’s like an old sad song

And my heart is black as coal
It’s been mined and there ain’t no gold
It’s so dark in there, but I don’t care
I will lay down in this empty hole
Where my heart is black as coal

And oh, there is nowhere left to go from here
I have fallen past the last frontier
But at the bottom of this well I hear you breathing:

Love below me
Love around me
Love above me
Love has found me
Love has found me here

So lay me down
Oh, lay me down in a field of gold and green

———————–

I got up in the morning, washed my face, and picked up the guys from the airport, ready to sing my songs and tell my stories to whoever would listen. It wasn’t until later that I remembered King David’s words:

Where can I go from your Spirit? Where can I flee from your presence? If I go up to the heavens, you are there; if I make my bed in the depths, you are there. If I rise on the wings of the dawn, if I settle on the far side of the sea, even there your hand will guide me, your right hand will hold me fast. If I say, “Surely the darkness will hide me and the light become night around me,” even the darkness will not be dark to you; the night will shine like the day, for darkness is as light to you.

31 Responses to “The Pit of Despair, or, A New Lament”
  1. Ray P. said:

    It is important to feel. Whether sad or happy- feeling matters. It tells you that you are alive. It also seems that the sadness and lonliness that comes from being away from family like you were in that hotel room (been there felt that by the way) is a gift because the coming home is so much sweeter. Sad songs are great. In particular your sad songs are great because they are not absent of hope. After the Last Tear Falls might be my fav because in the end there is love…

  2. Josh Petersen said:

    Proud of you man……

    This song reminds me of an old, old Johnny Cash song……in all the good ways.

    It also reminds me of the first time you played it for me……….on our trip across the mountains of Northern Arizona…………

    Some of my favorite memories


  3. Andrew, thank you for healing truth. I need to believe this today (and tomorrow and yesterday). I particularly like where you said there are things about yourself and God that you need to believe. I can relate to that. I recognize that I need to believe not only that God is full of grace but that I am a new creation, a new man and I am not the man that I sometimes hate. I need to sink into that hope. I ned that love around me, below me, above me, in me.

  4. John Cal said:

    AP,

    I’m not much of a blog reader, not even yours, though I am often blessed by your music. I just felt compelled to read this one because of the scary face in the picture at the top. No idea what/who that is, but it was an attention grabber. Thanks for reminding me that I have permission to be honest about how I feel, even when said feeling is seemingly undesirable.

    I remember working for a church youth event, wherein it was raining. Later in the day it stopped and the sun was shining, and a woman I was working with said, “Look at the sunshine. God always finds a way to bless us.” to which I (antagonistically) responded, “So, he wasn’t blessing us when it was raining?” “No, I don’t know what you mean,” I replied.

    I am reminded of the words of two of my favorite writers:

    Derek Webb in “Faith My Eyes”: I mistake some happiness for blessing.

    &

    Paul in his letter to the Philippians: Rejoice in the Lord, always. I say it again, rejoice.

    Thank you for being honest about your loneliness, and shame, and fear. I think the truth, no matter how scary at the time, always adds to the beauty of what is possible, and I like not feeling like I’m the only crazy person in the world.

  5. Hannah said:

    “…there no feeling in a human heart which exists in that heart alone — which is not, in some form or degree, in every human heart.” ~George MacDonald

  6. Ron Block said:

    AP, I have a hard time imagining Peter telling Jesus in Gethsemane, “You should be happy.” We are to “fill up the measure of His sufferings,” and it would seem to me that Suffering and Happiness are mutually exclusive (though not Suffering and Joy). You’re right in comparing happiness to cake. It’s nice and all, but we are meant for something much deeper and better than cake.

    This is one of the things I love about the songs you write. They’re real. They come from real places. It isn’t just you getting out your Bible and writing something you think you ought to write. Your songs come from your experience, filtered through the lens of Scripture. The Silence of God is a classic in that regard.

    Any art, in order to resonate with other humans, has to do this. “A thing resounds when it rings true.” Humanity, put into perspective by the Word of Deity. “I feel” combined with I AM.

    Christianity is often seen as some sort of Happy Pill; “Things Go Better With Jesus.” But to tell the truth, things sometimes go worse with Jesus. If we’re just looking for short-term happiness, we’re probably better off being materialistic hedonists (some believers are, anyway, I suppose). But if we are looking for Goodness, looking for Father to make us good, trusting, obedient children, maturing us into grown up sons of God who will rule and reign in His universe and judge angels, we need to expect quite a bit of suffering to come our way.

  7. Amy said:

    Beautiful. And even though I feel like I say this so often, it felt particularly fitting for this moment of my life, for this day when I felt so dark and far from happy and was battling my own set of lies.

    Ray’s right, too, it’s important to feel, whatever it is we are feeing we must feel it through.

    And as cliche and tired as it sounds, I thank God for the words and the songs he gives you. I’m not sure you can ever know the depth of what they mean to me.


  8. Thanks for the kind words, folks.

    John Cal, the scary face belongs to the guy in The Princess Bride who keeps the Pit of–cough, cough, hack, hack–Despair.

  9. Mark said:

    This is a great post and that picture is really creeping me out.

  10. Paula Shaw said:

    Whew! Reading this post, and then hearing the song that is posted on FB, has just wiped me out emotionally. As I read the post, I realized I’d felt the same way many times. I’m thanking God that He’s given you, Andrew Peterson, such a prolific and exquisite gift. Thank you, too, for using that gift to minister to people like me, who just can’t seem to articulate what’s in our hearts. Well, at least in a way that is so fluid and eloquent.
    I love the allusion to St. Patrick’s Breastplate at the end of the song, and just the sheer redemptive quality of, “oh, lay me down in a field of gold and green”.
    Thanks, Andrew.

  11. John Cal said:

    AP,

    Thanks for the clarification. I have never seen that movie, and my friends tell me that I am a lesser person because of it.

  12. kevin said:

    John Cal- I’m not saying you are a lesser person, but you sure can’t be living the abundant life until you’ve seen the princess bride.

    AP- Thanks for the transparency. There’s a certain beauty in our failings that shines a bright light on Christ and makes us long for the redemption of our bodies. Until that day, the fact that I still am a stinker is a living example of salvation by grace instead of lawkeeping. All glory to Him who loves me in spite of myself yesterday, today and forver.

  13. carrie luke said:

    i thank you ap for struggling well, with integrity, and with jesus. this coupled with the community God has given you(your amazingly selfless wife, your “rabbits” at the warren, and the CC’s and other fellow musicians) is what i believe makes your music timeless and incredibly impactful. you will never know this side of heaven the lives you’ve touched and given the light of hope in their own darkness with your music and unique personhood. thank you for being a faithful servant to us. i CAN’T wait for the new album:) huge charlotte, home school mom fan:)

  14. Gordon said:

    Andrew Peterson,

    I was at that show in Lancaster with my fellow songwriting friend Dan Harney (whom I know you know better than me and just did breakfast with this morning … I’m sure he says hi!). He got me into your music and ever since that first listen, God has used you to take me to deeper levels of faith and art than almost any other artist out there. Thank you for your transparency, artistry and the courage to find God even in the darkest places.

    Just like the George MacDonald quote above, I have experienced God in those same dark places and it seems as though He is more near then than ever before (although praise the Lord for the grace to find him elsewhere in life too ;-). It just reminds me of some lyrics from a song I wrote called ‘Healed’ for my uncle’s funeral about a year a half ago, processing through a God who let’s his faithful servants battle with brain cancer for 9 years before eventually taking them home.

    “So now for those of us who dwell
    Between redemption and the pain
    Would you heal our broken hearts
    With the hope found in your name.”

    It’s in those moments of true pain and beauty that we get those glimpses of eternity that allow our hearts to come more alive and live for all that is to come. Thank you for sharing another one of those ‘windows in the world’ to get our hearts longing for the day of ultimate redemption.

  15. Dan K said:

    Your post hit me for a few reasons.
    Born & raised in Lancaster. I also set up a multitude of Christian concerts at Lanc. Menonite HS, Hershey E-free, etc. I find it funny your “pit of dispair” moment arose there. (nothing funny about the pit or the dispair, or even Lancaster except that ppl can’t pronounce it correctly; just the coincidence).

    I get to travel to customer sites frequently, and get the feeling of dullness that creeps in when the novelty of travel wears off. it makes you ache for home.
    It has lately occured to me, i need some more routine (regular discipline) in my faith. There is something about training the mind not only to be ready in season and out, but also to carry me thru the outlands. things happen, but I would hardly call it training. faith routines get a bad rap, but they are powerful for bridging some valleys.

    I’ve been struck by Israel’s (and mine) reluctance to remember. “Remember I am the God who brought you out of bondage”, “be still & know”. Basically whenever someone remembers God’s blessings, they are blessed. Not a shocking revelation, but a great way to be equiped to remember is to train yourself. Just my understanding at this time for where I am, no further implications.

    Part 2 since I’m rambling. I’m bothered, like many, by shallow prosperity gospel. I think a bigger understanding (not that I have it but I’m digging on it) of Matt. 11 (yokes & burdens) is needed. Much of the prosperity preaching is a very narrow verse out of proper context. Matt.11 isn’t as easily dug out. It is easy to read this as believe & things will be easy and a light burden (Jesus directly saying “For my yoke is easy and my burden is light”). Jesus says this, and things don’t look easy or light for him, and aren’t always for us. G.Macdonald had a rambling on this which helped me, I need to go thru it again. Mainly being yoked beside Jesus, not just putting on his yoke & going solo.

    Thank you for sharing. As Ron said the realness of your songs is powerful. Also loving the references to past songs. AP intepreting AP. Looking fwd to the new album.


  16. What’s there to be happy about? If you don’t recognize all the sad, lamentable things in the world, then can you really be happy that they have been defeated (and one day we’ll see them all as such)? Nothing is as good as experiencing it knowing that we are redeemed. Otherwise, its just one more coal on our head.

    I can’t wait to hear the new songs.

  17. Leslie said:

    Thanks for this. I had a seriously dark failure face day yesterday - feeling irretrievably lost. But there was love. And new mercies. We can’t have too many reminders that it is love that endures.

  18. PaulH said:

    I know that place very well.
    One thing I continue to try to do is strive for Jesus at all times. Brother Lawerence called it his “habit” of Practicing the Prescence of God. Paul wrote that it was praying without ceasing. All that said, it is so much easier said than done. It requires discipline, for sure,but I think God allows those despair, hatred of self moments to actually speak and teach us deep within, if we will recognize that in the moment. I know you know this already. just it is nice to hear a brother express this in words.


  19. AP, thanks for this. This is true.

  20. JJ said:

    AP, this is one of the things (out of many) that I love about your music. Unlike some Chrisitian music, you aren’t afraid to write songs about heartache and despair. I’ve heard plenty of Christian albums that are “Hallelujah, oh Joy!” for 12 songs. Well, my life isn’t full of constant happiness. I don’t wake up, spend 8 hours at work, and go to bed in a constant state of peace and joy and warm feelings. Real life often hits you like a freight train and leaves you dazed and confused, unable to see where God is in it all. And from what I read in the Scriptures that’s exactly how life is. Jesus didn’t promise us a life of happiness. Is there joy in the midst of suffering? There can be. And should we be more joyful than those without God because of the hope we have? Absolutely. But read through almost any Psalm and you’ll find incredible doubt and despair BEFORE the joy and faith returns.

    It doesn’t help me in my despair when someone says, “Smile! Jesus loves you!” It helps when someone says, “Life really stinks right now. I know you’re going through a hard time. Let’s just sit here and cry together for awhile.” I think that’s Jesus’ heart too. He cried with Lazarus’ family when he died, even knowing he was going to raise him from the dead! He didn’t say, “Cheer up folks! I love you!” He wept with them.


  21. Thank you for this.


  22. Thanks for letting us in on this story, Andrew. But seriously, let’s stop all the badmouthing of cake. It’s the only thing that makes me happy. Do we always have to make a point by tearing something else down here? Rise above, people. Rise above.

  23. Jaclyn said:

    I can’t think of anything else to add except that I agree with Aaron Roughton. After so many insightful comments and a beautiful post, Aaron’s was the icing on the cake. Pun totally intended.

    Thank you yet again for making my day and giving me something to think over and share with my friends!

  24. Peter B said:

    What Ron said… and just about everyone else (except the bit about Princess Bride ignorance). Thank you for continuing to use that divine gift to build up the Body.

  25. Joy C said:

    Thank you Andrew. It’s true. And you’re on the right track. And you said it beautifully well too.

  26. kelli said:

    so much truth. so much beauty.

    thank you for this!

  27. Adam Bennett said:

    *Disbelieved*… powerful little word, that one.

    Thank you AP. again… and again.

  28. SD Smith said:

    AP.

    Thanks for holding up a mirror and artfully, humbly noticing things in front of all of us.

    This is true and beautiful.

    Green and Gold would also be a good album title. Fin.

  29. Ben said:

    When is the new album being released?

  30. Mike said:

    Have you folks seen the Book of Eli. there is one scene when the main character has such a look of utter confusion and disbelief that you can almost feel it physically touching you. I’ve been that way with God before. I’m glad the there are song writers that can be honest about such.

    I can’t wait for the new album although I’m still getting to know the songs from Resurrection Letters V2


  31. AP, thanks for sharing this.

    “It’s been mined and there ain’t no gold”

    …so true, and often it’s us doing the mining and coming up empty.

    God is good. I can’t wait to hear this song.

    -Robert

Leave a Reply
Name (required)

Mail (will not be published) (required)

Website

  • Andrew Peterson
    singer, songwriter, storyteller
    bio | posts
  • Pete Peterson
    writer, boatwright
    bio | posts
  • Jason Gray
    singer, songwriter
    bio | posts
  • Eric Peters
    singer, songwriter
    bio | posts
  • Evie Coates
    visual artist, writer
    bio | posts
  • Randall Goodgame
    singer, songwriter
    bio | posts
  • Matt Conner
    pastor, writer
    bio | posts
  • Curt McLey
    writer
    bio | posts
  • Russ Ramsey
    pastor
    bio | posts
  • Jonathan Rogers
    writer
    bio | posts
  • Ron Block
    musician, singer, writer
    bio | posts

Recent Comments:

  • The Fiddler’s Gun, A Review: Making History Come True

    tfgcoverA.S. Peterson has crafted a work of compelling historical fiction which begs the question, “Can this really be a debut novel?” With dogged fidelity, Peterson captures the spirit, manners, and social conditions present during the American Revolutionary War. We meet colorful, credible characters who navigate the high seas of life and love, dependence and independence, war and peace, truth and consequence, and despite forays into dark places, The Fiddler’s Gun is beautiful, lyrical, and redemptive.

  • Shive Arrives: A Song by Song Commentary on The Ill-Tempered Klavier

    benshivecover.jpg

    One listen to Ben Shive’s debut The Ill-Tempered Klavier will provide obvious evidence of why this young man has secured the respect of peers and colleagues on the inside of the Nashville music community. With The Ill-Tempered Klavier, Shive’s skills are now planted in the public garden.

    Heretofore, there have been unsubtle hints: Andrew Osenga pronouncing Shive as his favorite songwriter, Andrew Peterson naming him as producer of The Far Country, his ubiquitous presence as a studio piano ace on a wide range of mainstream CCM records, Sara Groves choosing him to produce her next record, and the majestic arranging of the strings for Andrew Peterson’s Behold the Lamb of God, The True Tall Tale of the Coming of Christ. Like a fast growing wildflower, Shive seems to pop up everywhere, though always in the background. Now, the secret is out. Raise the curtain on Ben Shive.

  • Flannery O’Connor: The Complete Stories

    flannery-oconnor.jpg

    I just stumbled on a copy of O’Connor’s complete short stories at a used bookstore here in Nashville and listed it in the Rabbit Room store. Years ago a friend bought me this same edition and I read it with a sense of creepy amazement; it was like nothing I’d ever read. I knew Chris Slaten was a big fan of her work so I asked him to write a recommendation for the book. We only have one copy, so if you click here and can’t find it, someone beat you to the punch.

    ———————-

    This collection is essential to both long time fans and first time readers interested in the work of Flannery O’Connor. My first time to read a handful of her short stories I was helpless to interpret them. One would expect that reading the 1950’s work of a female “Christ-centered” southern fiction writer would be a simple, modest or at least predictable experience.

  • Saint Julian: A Novel

    12330194.jpgWalt Wangerin, Jr. strikes again.

    Several people in the last few weeks have commented to me about how glad they are that they discovered Wangerin’s The Book of the Dun Cow here in the Rabbit Room. It really is a remarkable book, and I still can’t recommend it highly enough. It won the prestigious National Book Award when it was first published in 1978, and was only the beginning of Wangerin’s career.

    I just stumbled on his most recent novel, Saint Julian, and was so captured by it that it bumped aside the other four books I’m reading. Last Sunday afternoon–a perfect Spring day–I sat on my front porch swing and read the last half of the book, savoring the careful prose, the pastoral tone, and even the look and feel of the book itself. The cover illustration fits the epic, vivid quality of the story perfectly, and the fonts (I’m a sucker for a great font) added just the right atmosphere.

  • RELEASE DAY REVIEW: On the Edge of the Dark Sea of Darkness

    on-the-edge-cover.jpgJanner Igiby lives in Glipwood, a nothing little village in the land of Skree, on the edge of the Dark Sea of Darkness. Manhood is on the horizon, but Janner finds it hard to feel much hope for the future. Skree is ruled by foreign oppressors, snake men called the Fangs of Dang, servants of a shadowy emperor named Gnag the Nameless. The Skreeans are weak and weaponless. They’re even tool-less. Any Skreean who needs to use a hoe has to borrow one from the Fangs (and fill out the requisite paperwork). And from time to time, the Black Carriage arrives in Glipwood to carry young Skreeans toward an unknown fate across the Dark Sea.

    But once a year the Sea Dragons sing just off the coast of Glipwood. With their song, life reasserts itself in the hearts of Skreeans who have long since learned to numb themselves:

  • The Killer Angels

    The Killer AngelsI am not a fan of Civil War literature; in fact, I have always thought of it as one of those weird sub-genres for obsessive types. They’re almost like Trekkies with their re-enactments and maniacal devotion to detail. It’s just not my thing (although I’m secretly jealous that they get to dress up and shoot cannons).

  • Arkadelphia from Randall Goodgame: Music in Motion

    arkadelphia.jpgA Randall Goodgame song is like a great independent movie. Characters deliver lines like they were lifted from a break room, a truck stop, or a downtown diner. Seemingly incongruent scenes are juxtaposed and plot isn’t obvious; in fact, narrative–a good story–is often more evident than linear plot lines. An indie movie, like a Randall Goodgame song, seems to tell itself. Rather than being rudely yanked by a chain through a sequence of contrived events, with a Randall Goodgame song, I have the sense that I’m being allowed a willing, but vicarious sneak peak into the real lives of his real characters.

  • The Book of the Dun Cow, Walt Wangerin

    The Book of the Dun Cow

    Walt Wangerin is a name I’ve seen in print many times. My dad had Ragman and Other Cries of Faith lying about at home for years and I remember thumbing through it at Christmas or Thanksgiving, reading bits here and there, and being intrigued by the style of writing; the words on the page had a canter to them, and a sparseness that gave them strength.

  • Sara Groves: Tell Me What You Know

     
    saragroves_b.jpgSara Groves irritates me just a little bit. With each album she makes, she moves from strength to strength and is always raising the bar with the quality, depth, and lyrical ambition of her work. And as a fellow artist, that’s just a little irritating since it means the rest of us are going to have to work harder if we hope to keep up.

  • Andrew Peterson: Love and Thunder

    loveandthundercover.jpgI am outside on my front porch. The yellowed leaves are methodically falling from the black walnut in the yard, my breath is chalky visible in the recent cold snap, and lately I have been exploring the unpleasant nuances of the dark night of a soul - my own, to be exact. It is a strange passion we live out on this over-glorified orb of rock hurtling through space at some rate that I’m sure would astound me were I to know what it was. It is an odd series of days, I am realizing, when you question your own faith more than you question your own doubt. And, indeed, it is these nagging questions which have prompted me to share my thoughts on Andrew Peterson’s 2003 album, Love and Thunder.

  • Peace Like a River, Leif Enger

    Peace Like a River Cover11-year old Reuben Land, a character in the 2001 book Peace Like a River, provides narration that is clear-eyed and insightful, yet retains the magic, wonder, and innocence of youth. I found it easy to entrust my imagination to the author’s clever method of telling the story through the sensibilities of a pre-teen boy. An author with lesser skill would have either made the boy too smart-alecky for his own good or impossibly cute.

  • A Balm in Gilead

    gilead_sm.jpgI just finished a book that upon closing it, I felt like it finished me in a sense. A quiet meditative book that reached down and stirred the deep waters in me. It’s Marilynne Robinson’s 2005 Pulitzer prize winner Gilead, given to me by my friend Andrew Peterson.

  • Photographs, Andrew Osenga

    osenga-photographs.jpg

    Do you have any CD’s in your collection that will be forever associated with some event or season of life—like the soundtrack to your last high school summer or what you listened to over and over again on that one road trip to wherever it was?

  • Eric Peters: A Hope that is Not of This World

    scarce.jpgEric Peters’s body of work addresses a diverse range of topics, but hope is a recurring theme that gently percolates in the midst of it all. And yet, somewhere between the 2001 masterpiece Land of the Living, and Scarce, the flavor of hope that Peters’s work emits has evolved closer to a tone that is more resolute than what came before. And though the complexion of hope has a broad range, the lyrics from Scarce–while intermittently contrite and timorous as in previous efforts, are now strengthened and bolstered by roots that have grown deeper, radiating an underlying grit and security.

  • The Great Divorce, C.S. Lewis

    thegreatdivorce.jpgHaving read The Great Divorce many times over the years, I’ve found this classic from the great C.S. Lewis to be full of startling clarity and depth on the differences between Heaven and Hell. The only thing both have in common is that both begin in the human will; we can either let Heaven enter us and rule in us to blossom into love and goodness, or allow Hell to infect and reign in our hearts by the daily refusal to submit to Heaven.

  • Room to Breathe, Andy Gullahorn

    gullahorn-room-to-breathe.jpgEven if you haven’t heard Room to Breathe, its still likely you’ve heard Andy Gullahorn. He’s what I’d call a heavy lifter by trade. He writes lyrics, plays guitar, arranges vocals and adds production help to the work of artists like Jill Phillips and Andrew Peterson.

  • Godric, Frederick Buechner

    Godric CoverAllow me to preface this by telling you that I am a great despiser of gushing reviews. I’d much rather write (or read) a scathing dismemberment of the latest Brett Ratner film or Terry Goodkind book than suffer through four hundred words of overblown hyperbole about even the best of things. But when asked to write some thoughts on Frederick Buechner’s Godric, no amount of distaste for high praise was able to intervene. I hope you’ll take what I say with the understanding that I do not say it readily or lightly.

  • archives