Rewind one week. Hutchmoot 2010, there is much bustle and chatter in the sunshine-yellow kitchen…Saturday evening’s Moroccan Spiced Chicken, not to mention many other tasty foodly items, would not have come off in as timely or seamless a manner if not for one…(kindly insert lively drumroll)…Redhead Kate.
Our acquaintance began with a string of emails about baking ingredients and an offer of a suitcase full of sweet potatoes. “Good thing I’m traveling Southwest!” she said, since two pieces of luggage are allowed, bless that airline’s heart. I knew I liked this girl, a real thinker, expeditious. She works for her family’s sweet potato company in North Carolina and brought with her quite a large box of the beauties as well as a deep, wide knowledge of the product. She laughed as she watched the gems get run through the dishwasher before roasting. Nothing but the best, cleanest sweet potatoes for our guests. Read the rest of this entry »
As I sling imperfect measurements of flour and brown sugar into a big enamelware bowl this morning, as I sip my coffee out of the Swede coffee cup (”you can always tell a Swede but you can’t tell him much”), as I drag my brushes through the vibrant liquid colors and commit them to the paper, my grandma is with me in the kitchen today. Hazel was my mother’s mother. Her middle name was Fern.
She loved her family and was a consummate homemaker. She loved the nothingness of the Arizona desert. She loved the pink, cloudy evening skies of the West. In her opinion, the Tetons were God’s most extravagant gift to his children. She was an artist and took painting courses by correspondence. She had a real gypsy spirit and didn’t mind moving around, wherever the winds of opportunity blew her and her family. She was a rascally tomboy when she was young, and kept a healthy portion of that feisty nature as long as she lived. Read the rest of this entry »
Mason Jennings. My favorite lately. His voice has an earnest, genuine, conversational tone. He manages to pierce the film that usually separates me from the recorded person. There’s a thrust and a glottal to his vocals that I can’t explain except to say that he has charmed me. I have several of his songs in my repertoire, just here and there from different records that have a similar, homespun sense. There’s an immediacy, a comforting echo in most of the productions of these albums. This song (track 4) which I had never heard (from a compilation project) popped up on Pandora yesterday and his lyrics here have cast the same sort of sweet spell. He digs deep. And I dig it. Deeply. Like he digs. Like the river is deep. Or is it really so deep? Or…oh go on.
A friend muttered an under-the-breath comment the other day about the infrequent nature of my writing. That part I know of myself, that trait I don’t like very much, and that I try to press down under the water so that people can’t see the struggle’s splashes, was ushered right up to the surface for a big ol’ gulp of fresh air. It stung more than I thought it should. I suppose you could say that I’m in that “do I live my life or write about it?” stage these days, so it didn’t come as a surprise. I notice things like the bright orange yolks in the eggs I have for breakfast, like the sturdy little beginnings of trees that are springing up from the whirlybirds that fell from my maple tree into the soil around my strawberries, like the heady scent of honeysuckle and the lush, damp green that is closing in on my peripheries and around my little back yard that marks the onset of summer, then I think “I should probably write about that.” But I end up just enjoying those little things in real time and then forgetting that I ever intended to put words to them. Read the rest of this entry »
In our sky-high tower by the sea, there was a vacuum. It was a vacuum void of my own computer, and it was glorious. Sure, I checked my email via someone’s iPhone about three times during the week, only emptying the junk and checking for real correspondence, of which there was little. In this void, this newly acquired open space in my heart and mind, I read. I might as well have put these books on plates and gotten out my knife and fork; I was ravenous for words. I devoured them. Read the rest of this entry »
I’m freezing. I’m hungry. I’m surly. I’ve been scolded, twice in one day. Not the usual average for a girl who avoids confrontation at any and all costs and feels at her lowest after even the slightest sting of a tongue lashing. Both instances were ones where I thought I could get a cheap laugh and ended up hurting, alienating or irking people. See, the thing about avoiding confrontation is that, well, no one confronts you. You breeze through life just barely whispering past any real discourse about your faults in the particular department of relationship. Passivity can be delightful, but it’s just that: passive. And cowardly. And selfish.
The woman I hope to be is not crass, nor is she thoughtless, nor, for heaven’s sake, catty. These are all traits I know I am fully capable of. Not only am I capable, I’m well-rehearsed. Family members of mine could attest to this in spades. I’ve got some zingers up my sleeve and I seem to pull them out at the most inopportune, harmful times. (Well, zingers should probably always stay up the sleeve where a serious lack of ventilation will suffocate their potency and vigor.) Have you seen a man who is quick with his tongue? There is more hope for a foolish man than for him. (Proverbs 29:20). Ouch. Read the rest of this entry »
Each year when I celebrate my birthday, one of the things I love most is to conjure in the kitchen for the loved ones who have gathered on my behalf. I know it seems a little backwards, me being the birthday girl, but I want it that way. And princess gets what princess wants. Sometimes, though, I get a little, well…bent out of shape.
My poor family. On Saturday morning I burned the bacon (it did have a delicious, candy-like, maple and mustard concoction on it, rendering it a sensitive subject to heat). It was still indescribably tasty. Then I put five cups of whole milk on to simmer for the rice pudding dessert, then promptly got caught up in reading the rest of the recipe in the other room. You can well imagine what happened. I’ll just say that Eco the dog had quite the dairy-licious feast on the floor. After a few exclamatory expletives from me in these situations (gasp!), mom always says quietly, “oh, quit it.” She brings me back around, makes me laugh at myself and causes me, almost always, to see the humor in the situation instead of deeming myself an unequivocal dimwit (which is no easy task, by the way, bringing ol’ Ev down from the ledge). Why does it surprise me when she says, after I’ve spent the majority of the day in the confines of foodland (at no one’s command but my own), “Evie, get out of the kitchen for awhile.” Read the rest of this entry »
Today in church, Randy spoke about freedom. (Hooray!!) As believers, we need to be reminded (at least I do, often) that the written laws were nailed to the cross and that we are now called to live as free people. Sometimes I fear (for good reason, I think) that our culture believes that the words “Christian” and “freedom” are diametrically opposed, irreconcilable. That’s another [huge] discussion for another time.
“He forgave us all our sins, having canceled the written code, with its regulations, that was against us and that stood opposed to us; he took it away, nailing it to the cross.” (Colossians 2:13) Well hey, free ticket, right? Sa-weet. Now that we’re free from the law, unbound, we have a choice. The obvious, more pleasurable avenue would be to live it up, to run rampant with this freedom, to push the limits and inch our toes to the edge of the precipice under this umbrella of forgiveness. Either that or we can live in the deepest, fullest reality of our freedom and endeavor to love each other with the compassion that was extended to us, to mirror our Father’s greatest act of love.
One of Randy’s illustrations was the following story (from what I believe he said was the 17th century), one of a young woman and her desperate plea and act of selflessness for her lover’s life. Tears came instantly to my eyes as he relayed the end where she lays her bruised body before Cromwell and pleads on behalf of her dear condemned. In this particular legend, the law was beaten. By love. Read the rest of this entry »
First, let me give you just one little glimpse of why I love it here. I just walked up the stairs from my classroom and outside, around on a winding path that leads to the door to the teachers’ lounge. (It’s time for my morning tea.) The gym, where kids are having PE right now, is across the courtyard from where my classroom is. There is a giant magnolia tree in the courtyard and a nice grassy patch, and a sweet little bronze sculpture of a child reading on a bench under the tree. Flowing loudly from the general direction of the gym are strains of Lenny Kravitz’s “It Ain’t Over Till It’s Over.” The PE faculty have some great taste in music. Yesterday it was James Brown’s “Papa’s Got a Brand New Bag.” It’s a good place to be. So back to how I got my job. Read the rest of this entry »
One of the duties that proved most difficult for me (after creating sixty-two works of art, of course) was writing about why I did it all. I found myself sitting in the gallery the morning of the opening of the exhibit, staring at the walls which bore several months’ worth of my life. My brain, empty. “Influence of place,” my comrade and curator, John, said to me.
Influence of place.
The following paragraphs flowed out of my fingers/brain/heart within a half-hour’s time. Read the rest of this entry »
Maybe it’s these gigantic casts I’ve got on both of my thumbs from a terrible, overzealous-shoulder-massage injury.
Perhaps it’s because I’ve been trying to simultaneously teach art full-time, design a book cover, and create somewhere in the neighborhood of fifty pieces of art.
Yeah, maybe it’s that last one.
We all know I’ve been a little absent. A little?! Yes. But aside from all that, I have an art exhibit coming up that I’d like to tell all y’all about. Read the rest of this entry »
In my tattered copy of a book simply titled Good Poems (selected by Garrison Keillor), this page is one of many that are dog-eared (gasp!). I think I remember a librarian in fifth grade telling me that this was the unpardonable sin, so each time I feel that crunch of paper fibers beneath my thumb, it thrills me. Renegade behavior, I know. There’s not much I need to say about this poem, except that I thought it appropriate that it be shared with my Rabbit Room friends.
I dedicate this post to a one Mister Ron Block (cue the Casey Kasem Top 40 theme music). I’ll be aghast if he hasn’t already encountered this poem and all but committed the lines to memory, but just in case he hasn’t… Read the rest of this entry »
There is such a thing as an ERB test. Don’t ask me what those letters stand for, but they are the standardized aptitude test currently used in the school where I work. I, personally, just love to call them the “erb” tests. As in “herb.” As in parsley, sage, rosemary and thyme. As in Peaches and ____. I most definitely digress. At the lunch table I asked the kids, ages ranging from grade 3 to 5, how the morning’s tests went. One third grader who is famous for the bows which always sit perfectly atop her cute little head, said “This is going to be the longest week of my liiiiife.” A fourth grade ragamuffin who likes to call himself “Heinz Cowguts” (which I think is quietly brilliant) said “Oh that stuff’s so eeeeeasy for me! I finished so fast!” I assured Monsieur Cowguts that there were many fellow students for whom this test wasn’t “so eeeeeeasy” and that he might want to use a bit more tact at the lunch table, and that the correct grammar usage would actually be “I finished so quickly.” And then there are the mature, erb-savvy fifth graders for whom this test is old hat and something they merely endure. Read the rest of this entry »
Heaven knows why it has taken me so long to write a little something about this album, the newest EP from friend and soul sister, Julie Lee. Julie and I met several years ago at a friend’s house and found immediate ease in conversation and a unique connection; sparks of light and magic hung lightly in the air around our collision. It was one of those instances where you know for sure that the God of the Universe meant for you to meet this one particular human being out of the millions that He created. I know that sounds a little dramatic, but I like drama (the good kind only, please) and am grateful when I find it happening in my little life. Read the rest of this entry »
“Anyone can revolt. It is more difficult silently to obey our own inner promptings, and to spend our lives finding sincere and fitting means of expression for our temperament and our gifts.”
Georges Rouault, a French Expressionist painter from the nineteenth century wrote down these words. Or spoke them. Or spoke them and then thought he should write them down, lest they become lost forever. Bottom line, this meaning-full and beauty-full thread of words made it all the way from his mouth to a piece of green construction paper next to the door of my art classroom, hand-written in Sharpie. It has hung there, heavy with truth, for almost three years now. I am, on many occasions, asked by the young people who cross that threshold each day to define words like “revolt” and “promptings” and “temperament.” Once I explain what is being communicated by Mr. Rouault, most children stand with half-blank stares, but some kids get it. They get it and they like it. There is a quiet challenge that hides within his words, and we do love a challenge, don’t we?
But I thought it’d be neat to hear what you all think it means. Maybe I will gain new insight and wisdom to share with the young artists who are in my care. What significance does this statement have for us as creative and faith-alive humans? Anyone? Bueller, Bueller…Let the dissecting begin.
Fellow Rabbit Roomers, I need your help. As exciting as anything that has happened to me in these gloomy, heavy-set winter months is the recent re-purposing of my little white backyard shed into a new art studio. I’ll soon be wearing my tomato red art apron in a new kind of kitchen. I get to create sawdust and — glory of glories — leave it on the floor. (Of course I’ll sweep it up eventually because I like a clean floor but still, it’s the principle of the thing.) This past Sunday, mom and dad helped me sucker-punch that sad, cobwebby excuse for a storage shed into a beaming beacon of creative promise. It only took five hours! We moved all of my work tables, tools and crates of old bits and pieces and odd junk out to the particle-board womb. They now look up at me with gratitude and appear so much more at home than in the spare bedroom they’ve inhabited for a year and a half. Dad even wired me for lights (we’ll just see how soon I blow a fuse since it’s just an extension cord from the house) so it’s bright, cheerful and well-appointed. Read the rest of this entry »
I don’t watch the evening news. The white noise of so many busy-body blabbermouths saying the same things over and over again usually lacks luster for me. I’d rather have quiet or music. This evening when I got home, mom called and said, “Evie, I know you don’t watch the news, but you have got to turn on the TV and watch some of what happened today.” She proceeded to give me the Cliffs Notes version of the crash of US Airways Flight 1549 out of LaGuardia. “What?!!” I said with a breathless smile on my face. Since the larger part of the American population actually do watch news and own computers, I will spare you my version of this incredible story.
But do you know how relatively narrow the Hudson River is?? Or how close the plane came to the George Washington Bridge as it flew overhead? Or that the plane was at just the perfect angle to avoid an end-over-end catastrophe? Or that it’s possible for geese to take down an entire aircraft? Or that there were business men in their nice suits aiding the people in quickly escaping the frigid water? Read the rest of this entry »
Yellow onions, garlic and fresh ginger are sfubzling away over a low heat on the stove.
Sfubzling: (the “s” is silent) a little-known culinary term, used only by cooks with their ears truly to the ground, describing the noise which emanates from the cooking vessel and seems much like a mix of sizzling, bubbling, and fizzing. It’s a delightful and promising noise. Good smells most usually accompany.
I cue the music, step into the kitchen, light a candle in the window, sharpen my knives, crank up the stove, pour a glass of “Prosperity Merlot” and place my brand new, shiny-sunny yellow Le Creuset soup pot on the front burner. It was a Christmas gift from my sister and brother-in-law and I can only dream of all of the hundreds of wonder-full soups, stews and braises it will hold in its belly as it goes through this life with me. A few glugs of olive oil and I’m off and running. I chop, chop, chop with my sharp knife (an immeasurable pleasure), hum along with the groovy Nat King Cole tune, sip my wine, and in a hair’s-breadth of a minute, I am revived — brought home to myself — by a pretty soup pot and a prayer. Read the rest of this entry »
Griffin House. Matthew Perryman Jones. Trent Dabbs. Katie Herzig. Andy Davis. K.S. Rhoads. Erin McCarley. Tyler James. Butterfly Boucher. Jeremy Lister. (And the Honorary #11: Will Sayles on drums. He rocked hard.) I had the pleasure of experiencing the greatness of this fine line-up at the Cannery Ballroom on Saturday night. These ten artists from Tennessee (get it?…) are embarking on a sixteen-date tour in Willie Nelson’s old tour bus. Good times (and perhaps a contact high) will surely be had by all on that rolling paradise which bears a desert scene on the side. I’d like to hug whoever was initially responsible for getting this powerhouse bunch of folks together for this musical journey. Read the rest of this entry »
Oh gosh, Evie-fans!! I am so terribly sorry to have kept you in the dark about the goings-on with my sweetheart of a truck. Let me get you up to speed, as it were. I and the fellows down at Auto Zone have gotten to be quite close, and Tom said last time I walked in, in his very northern accent, “Wee’re gonna have to either chaaarge yoo rent or give yoo a jahb.” These guys are great, and so helpful and patient in times such as yesterday when I left with a 36 inch belt for the power steering wheel thing-y and came back, moments later (and I mean moments) to switch it out for a 36.5 (and 37 and a 37.5, just in case). These men are Steve, David (a.k.a. “Bear”), Asa, Tom, and Joe. What wondrous characters and great new friends. Anyways, on to the recent progress… Read the rest of this entry »
The Fiddler’s Gun, A Review: Making History Come True
A.S. Peterson has crafted a work of compelling historical fiction which begs the question, “Can this really be a debut novel?” With dogged fidelity, Peterson captures the spirit, manners, and social conditions present during the American Revolutionary War. We meet colorful, credible characters who navigate the high seas of life and love, dependence and independence, war and peace, truth and consequence, and despite forays into dark places, The Fiddler’s Gun is beautiful, lyrical, and redemptive.
Shive Arrives: A Song by Song Commentary on The Ill-Tempered Klavier
One listen to Ben Shive’s debut The Ill-Tempered Klavier will provide obvious evidence of why this young man has secured the respect of peers and colleagues on the inside of the Nashville music community. With The Ill-Tempered Klavier, Shive’s skills are now planted in the public garden.
Heretofore, there have been unsubtle hints: Andrew Osenga pronouncing Shive as his favorite songwriter, Andrew Peterson naming him as producer of The Far Country, his ubiquitous presence as a studio piano ace on a wide range of mainstream CCM records, Sara Groves choosing him to produce her next record, and the majestic arranging of the strings for Andrew Peterson’s Behold the Lamb of God, The True Tall Tale of the Coming of Christ. Like a fast growing wildflower, Shive seems to pop up everywhere, though always in the background. Now, the secret is out. Raise the curtain on Ben Shive.
I just stumbled on a copy of O’Connor’s complete short stories at a used bookstore here in Nashville and listed it in the Rabbit Room store. Years ago a friend bought me this same edition and I read it with a sense of creepy amazement; it was like nothing I’d ever read. I knew Chris Slaten was a big fan of her work so I asked him to write a recommendation for the book. We only have one copy, so if you click here and can’t find it, someone beat you to the punch.
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This collection is essential to both long time fans and first time readers interested in the work of Flannery O’Connor. My first time to read a handful of her short stories I was helpless to interpret them. One would expect that reading the 1950’s work of a female “Christ-centered” southern fiction writer would be a simple, modest or at least predictable experience.
Several people in the last few weeks have commented to me about how glad they are that they discovered Wangerin’s The Book of the Dun Cow here in the Rabbit Room. It really is a remarkable book, and I still can’t recommend it highly enough. It won the prestigious National Book Award when it was first published in 1978, and was only the beginning of Wangerin’s career.
I just stumbled on his most recent novel, Saint Julian, and was so captured by it that it bumped aside the other four books I’m reading. Last Sunday afternoon–a perfect Spring day–I sat on my front porch swing and read the last half of the book, savoring the careful prose, the pastoral tone, and even the look and feel of the book itself. The cover illustration fits the epic, vivid quality of the story perfectly, and the fonts (I’m a sucker for a great font) added just the right atmosphere.
RELEASE DAY REVIEW: On the Edge of the Dark Sea of Darkness
Janner Igiby lives in Glipwood, a nothing little village in the land of Skree, on the edge of the Dark Sea of Darkness. Manhood is on the horizon, but Janner finds it hard to feel much hope for the future. Skree is ruled by foreign oppressors, snake men called the Fangs of Dang, servants of a shadowy emperor named Gnag the Nameless. The Skreeans are weak and weaponless. They’re even tool-less. Any Skreean who needs to use a hoe has to borrow one from the Fangs (and fill out the requisite paperwork). And from time to time, the Black Carriage arrives in Glipwood to carry young Skreeans toward an unknown fate across the Dark Sea.
But once a year the Sea Dragons sing just off the coast of Glipwood. With their song, life reasserts itself in the hearts of Skreeans who have long since learned to numb themselves:
I am not a fan of Civil War literature; in fact, I have always thought of it as one of those weird sub-genres for obsessive types. They’re almost like Trekkies with their re-enactments and maniacal devotion to detail. It’s just not my thing (although I’m secretly jealous that they get to dress up and shoot cannons).
Arkadelphia from Randall Goodgame: Music in Motion
A Randall Goodgame song is like a great independent movie. Characters deliver lines like they were lifted from a break room, a truck stop, or a downtown diner. Seemingly incongruent scenes are juxtaposed and plot isn’t obvious; in fact, narrative–a good story–is often more evident than linear plot lines. An indie movie, like a Randall Goodgame song, seems to tell itself. Rather than being rudely yanked by a chain through a sequence of contrived events, with a Randall Goodgame song, I have the sense that I’m being allowed a willing, but vicarious sneak peak into the real lives of his real characters.
Walt Wangerin is a name I’ve seen in print many times. My dad had Ragman and Other Cries of Faith lying about at home for years and I remember thumbing through it at Christmas or Thanksgiving, reading bits here and there, and being intrigued by the style of writing; the words on the page had a canter to them, and a sparseness that gave them strength.
Sara Groves irritates me just a little bit. With each album she makes, she moves from strength to strength and is always raising the bar with the quality, depth, and lyrical ambition of her work. And as a fellow artist, that’s just a little irritating since it means the rest of us are going to have to work harder if we hope to keep up.
I am outside on my front porch. The yellowed leaves are methodically falling from the black walnut in the yard, my breath is chalky visible in the recent cold snap, and lately I have been exploring the unpleasant nuances of the dark night of a soul - my own, to be exact. It is a strange passion we live out on this over-glorified orb of rock hurtling through space at some rate that I’m sure would astound me were I to know what it was. It is an odd series of days, I am realizing, when you question your own faith more than you question your own doubt. And, indeed, it is these nagging questions which have prompted me to share my thoughts on Andrew Peterson’s 2003 album, Love and Thunder.
11-year old Reuben Land, a character in the 2001 book Peace Like a River, provides narration that is clear-eyed and insightful, yet retains the magic, wonder, and innocence of youth. I found it easy to entrust my imagination to the author’s clever method of telling the story through the sensibilities of a pre-teen boy. An author with lesser skill would have either made the boy too smart-alecky for his own good or impossibly cute.
I just finished a book that upon closing it, I felt like it finished me in a sense. A quiet meditative book that reached down and stirred the deep waters in me. It’s Marilynne Robinson’s 2005 Pulitzer prize winner Gilead, given to me by my friend Andrew Peterson.
Do you have any CD’s in your collection that will be forever associated with some event or season of life—like the soundtrack to your last high school summer or what you listened to over and over again on that one road trip to wherever it was?
Eric Peters’s body of work addresses a diverse range of topics, but hope is a recurring theme that gently percolates in the midst of it all. And yet, somewhere between the 2001 masterpiece Land of the Living, and Scarce, the flavor of hope that Peters’s work emits has evolved closer to a tone that is more resolute than what came before. And though the complexion of hope has a broad range, the lyrics from Scarce–while intermittently contrite and timorous as in previous efforts, are now strengthened and bolstered by roots that have grown deeper, radiating an underlying grit and security.
Having read The Great Divorce many times over the years, I’ve found this classic from the great C.S. Lewis to be full of startling clarity and depth on the differences between Heaven and Hell. The only thing both have in common is that both begin in the human will; we can either let Heaven enter us and rule in us to blossom into love and goodness, or allow Hell to infect and reign in our hearts by the daily refusal to submit to Heaven.
Even if you haven’t heard Room to Breathe, its still likely you’ve heard Andy Gullahorn. He’s what I’d call a heavy lifter by trade. He writes lyrics, plays guitar, arranges vocals and adds production help to the work of artists like Jill Phillips and Andrew Peterson.
Allow me to preface this by telling you that I am a great despiser of gushing reviews. I’d much rather write (or read) a scathing dismemberment of the latest Brett Ratner film or Terry Goodkind book than suffer through four hundred words of overblown hyperbole about even the best of things. But when asked to write some thoughts on Frederick Buechner’s Godric, no amount of distaste for high praise was able to intervene. I hope you’ll take what I say with the understanding that I do not say it readily or lightly.